FMAN B100D QC Core DI

IMPORTANT! Please follow my both accounts on Quad Cortex for the quickest and smoothest delivery of captures: amalgamaudio and amalgamaudio2
 
DISCLAIMER!
Our DI capture sets come in the following variations:
- Essential DI - For very simple one channel amps with just a tone control there will be only an Essential DI set.
- Core DI - clean, edge, crunch, dimed, drive and lead gain levels with EQ settings close to the amps sweet spot - includes BRI, BAL, WRM settings. Includes close mic'd IR's. This is where to start, if you are not sure, if you want all the tones from a particular amp.
- Expansion DI - clean, edge, crunch, dimed, drive and lead gain levels with EQ the more unusual settings (which often are spectacular sounding with particular playing styles, genres, guitars or pickups) - includes THN, FAT, SCP settings. Include's IR's with baked in room sound that are intended to be used with an external IR loader that allows long files - up to 2 seconds and that are meant to be mixed together with the close mic'd IR's from the Core DI set. The Expansion DI set is meant to be purchased as an addition to the Core DI set, not as a standalone.
 
FMAN has made a name for himself as THE reference for hot rodded Marshall tones. The B100D is a pinnacle of this legendary amp line.
 
The Clean channel delivers Plexi-like tones that are a bit more less raw and strident than the vintage specimen - it is a bit more refined and controlled, while still retining the Plexi-style character. 
 
The BE Channel sports heaps of gain, has a character that is smooth and dynamic at the same time, while still retaining that MRSH style bite and definition to the upper mids. The liveliness, balance and musicality of this channel is addictive. Nothing else delivers comparable tones - very dynamic despite the gainy character and extremely flexible thanks to a lot of switching options. This is THE platform for classic Rock tones and beyound. 
 
The Boosted BE channel heats things further up and delivers high gain tones with a MRSH style tone that lives in the mids. It might be the first amp we've encountered that does high gain with this amount of mid content and sounds good at it. It doesn't want or like to be scooped out and where it shines is the extremely dynamic response thanks to the power amp being heavily involved in the tone-shaping and distortion. 
 
If you want one amp that covers pretty much any amount of gain for any genre with a MRSH style tonal character that is a bit more controlled, refined and modern, this is it. 
 
The amp was tracked through a MRSH 4X12 and a G12M25 and V30 Speaker mix (exactly as in FMAN 4X12 cabs), 2X Royer R121, 1X Beyerdynamic M16 and 1X Neumann U87 mics.
 
The set includes 18 DI captures ranging from clean to High Gain and 3 CAB IR's. Please refer to the table under the product pics for detailed info on each capture.